On the Park - May 2007

Cédric Robert has been busy in the last year
or so since he joined as a full-time staff member in January 2006. He
is pretty fluent in English now and has been teaching a certain Russian
the ways of The Hawk Conservancy Trust…
MY FAVOURITE BIRD IN THE PARK
The hardest question people used to ask me: “What
is your favourite bird Cédric?”. Well it was difficult
to say; but since last summer I now have a favourite. His name is Cinnamon
and he is a Siberian Eagle Owl, one of the largest owls in the world.
Last June, Ashley and Andy asked me if I wanted to train an Eagle owl.
I had a huge smile on my face because training a bird is I think one
of the best parts of this job. So, I started to work with Cinnamon from
10th of June to 2nd of September. I spent about 50 days with him. The
training is made up of two stages:-
a) Manning: “to get his trust”
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| Cedric training Siberian Eagle Owl, Cinnamon |
No short-wing, broad-wing or owl can be trained when
the bird is at top weight. There would be no reason even for an imprinted
owl to accept human company. So, the first step consisted in getting
Cinnamon to eat on my fist. This was the only good reason for him to
be enthusiastic by my presence. The first few days were more disappointing
because he did not want to eat because he was in high condition. Then,
he started to eat, the fact he bent his head was a good sign to earn
his trust. For about 2 weeks, I spent one hour every day sitting with
Cinnamon in his aviary. Eventually, it was easy to get him on my fist
and he was relaxed. I started to walk with him in the park. This part
was important because it was the first time he was out of his aviary
and close to strangers. The first time I tried to weigh Cinnamon was
difficult but really important: 3.15 pounds - about 1.4 kilos. For a
few days, I cut down his food to get him ready to fly and I tried to
get him to jump to my fist.
b) Flying: “the fun part of the training”
At this stage, I used a créance (long thin
training line) which I tied instead of the leash. The idea was that
Cinnamon would fly to my fist quickly when I called him, so to start
with he did few flights each session, and always into the wind. I started
by a very short call and I gradually increased the distance. Cinnamon
was good with the créance and he flew only 5 days with it. On
17th of August, Cinnamon flew free for his first time. He was ready
for his first show: Members’ night. The only problem, I was in
France the week just before Members’ night so when I came back
to England I was a bit nervous; not only having to talk, but worried
in case Cinnamon did not respond to me. When he did his first jumps
and I saw him focus on me, I was fine!
“What he looks like in the wood”
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| Cinnamon in the Woodland Owls and Hawks arena |
Now you can see Cinnamon flying for the 3.30 display
in our new woodland arena and also for Owls by Torch light. As for me,
I get the most satisfaction when I can fly him for this show. I have
the best memories flying Cinnamon. I remember once, it was moonlight,
I was flying him and to conclude the show, we switched off all the electric
lights for his last call and only turned them on once he was on my fist.
I just could see a flying shadow coming toward me, fast and completely
silently. At such a moment you would not want to be a mouse! These few
seconds from when Cinnamon left the post to landing on my fist were
incredible. I will never forget it.
People think flying an owl must be less interesting than flying a kite
or falcon... Well, to be honest with you, I have not flown a falcon
yet. Anyway, flying and watching Cinnamon, it is just great! You just
have a look at the picture.
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Cinnamon is a stunning eagle owl with his large orange
eyes and his creamy colour and fluffy feathers. This bird combines strength
and grace. He is brilliant, but not perfect; a few things upset him:
cameras, wheelchairs and pushchairs. Sometimes, it is not very easy
to fly him but it does not matter too much because once Cinnamon is
out of his aviary, he gets all the attention of the crowd.
Credits:
* Falconry: Art and Practise by Emma Ford
* Flying pictures taken by Paul Reading